#Omnisphere 2 and zebra 2 Patch#
#Omnisphere 2 and zebra 2 full#
#Omnisphere 2 and zebra 2 software#
#Omnisphere 2 and zebra 2 plus#

#Omnisphere 2 and zebra 2 Patch#

Only modules used in a particular patch are displayed, reducing front-panel clutter, and making for a more streamlined interface. Urs describes Zebra 2 as a вЂњwireless modular synthesizerвЂќ-it incorporates many types of synthesis, including subtractive, additive, and FM, along with an equally versatile array of sound-modifying tools like comb-filtering (physical modeling), all freely patchable. The U-he line includes several synths, but I want to focus on two of the most popular, Zebra 2 and Diva.

#Omnisphere 2 and zebra 2 software#

U-he is not a synth, itвЂ™s a company-actually itвЂ™s software developer Urs Heckmann (plus a small staff), whoвЂ™s come up with many excellent and characterful synth designs (and effects plug-ins) over the years, many available as freeware (like the popular Zoyd synth, and the unique Triple Cheese, which uses comb filters to generate/process its sounds). A faux LCD panel helps simplify programing the more tweaky features, and flexible routing allows for the two oscillator layers to cross-feed the filters, making for an especially nice bit of analog character in the digital world.

#Omnisphere 2 and zebra 2 full#

All the virtual analog components were carefully designed to offer the rich sound of their real analog counterparts, with alias-free oscillators, and filters that include nonlinear saturation and self-oscillation options.ДЄ comprehensive set of envelopes, modulators, and an arpeggiator is rounded off with a full array of audio effects-everything needed to achieve classic analog synth sounds with the warmth and edge of traditional hardware synths is included. ItвЂ™s a dual-layered design, with 4 traditional analog-style oscillators, and a classic subtractive synthesis architecture. Sylenth is designed to do one thing-emulate classic analog synthesis-but do it exceptionally well.

Unlike many of the other entries in this list, itвЂ™s not a be-all, do-all, end-all design. LennarDigitalвЂ™s Sylenth has become a very popular synth of late. Taking full advantage of everything the programming environment has to offer may require a significant investment in time and energy, but for inveterate tweakers itвЂ™s well worth the effort, going well beyond even the possibilities available from assembling your own modular synth in the real world. Some of these are available as separate, stand-alone synths, like NIвЂ™s own Razor (an additive synthesis design), Prism (a physical modeling instrument), and Monark (a well-regarded take on the venerable Minimoog).Д«ut the real power of Reaktor comes when you go behind the front panel, and delve into the nuts & bolts of synthesizer architecture. But you donвЂ™t have to have a degree in computer programming or DSP to use Reaktor-while it does contain a daunting set of under-the-hood tools and building blocks, it also comes with a large collection of finished synthesizer designs-called Ensembles-and there are many more available from third-parties as well. Reaktor is an object-oriented programming environment for building your own synthesizers, and itвЂ™s one of the most powerful tools available for those who want ultimate control over their instruments. All in all, MassiveвЂ™s combination of accessibility and flexibility have made it a perennial favorite among synthesists of all stripes.ДЄnother entry from Native Instruments, Reaktor (currently ReaktorВ 6) is not really a synthesizer per se-itвЂ™s potentially every synthesizer you could imagine. The overall subtractive architecture is familiar enough to be accessible to most synthesists, yet it offers extra levels of flexibility, accessed from the various programming tabs in its center panel, like the Routing panel, where you can view and tweak the signal flow of the various modules that make up a patch, and the drag-and-drop icons that make quick work of building up modulation patching.

MassiveвЂ™s oscillators are more than just simple analog waves (like sine, square, sawtooth, pulse, etc.)-theyвЂ™re Wavetables, which, besides those basic, traditional shapes, also include a large collection of richer and more complex wavetables to use as raw material, making for a much wider range of possible sounds. But thereвЂ™s much more to it than that simple description suggests.

#Omnisphere 2 and zebra 2 plus#

Massive follows aВ traditional subtractive synthesis models, with oscillators (three, plus noise) filters (two), amplifier, modulation (LFO), and effects.

Native InstrumentвЂ™s Massive is another synth thatвЂ™s been around for years, and its popularity and sound pretty much guarantee it a place of honor.